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archive head spider 2004_July 2004_July_22_1

Tonight at The Bullfrog!


THE MICK DOWNS BAND are at The Bullfrog Blues Club on South Patade Pier 
tonight! (Thursday 22nd June).

I can do no better than to quote from the review of a previuus Bullfrog gig 
which was reported in "Blues Matters" magazine....

A more than convincing debut for the MICK DOWNS BAND at Bullfrog Blues Club, 
Southsea, on Thursday 9th October.

In short, a superb gig with exceptional musicianship from the outset. The 
trio contains two former members of RECONSIDER (Mick Downs and brother Tim), and 
new recruit Bob Campion (drums). This latter proved to be a revelation; his 
feeling, understanding, and empathy propelling the band’s playing to new levels.

The MICK DOWNS BAND started at 9pm, kicking off with a Mick Downs original 
instrumental “Grand Swang”, before moving into Lowell Fulson’s “Bending like a 
Willow Tree”, complete with solo in the style of the great Albert Collins. 
Louis Jordan’s “Buzz Me” got a groovy makeover, with Bob Campion’s inspired 
fills and touch re-defining the art of cool drumming.

“The Things That I Used To Do” featured great dynamics from keyboard and 
bass, that provided the launching pad for a superb Ronnie Earl style guitar solo. 


A great vocal performance on the Fabulous Thunderbirds’ “Humbugging”, led to 
another Mick Downs instrumental entitled “Ronnie’s Tune”, which, although a 
nod to Mr Earl, contained equal measures of Joe Louis Walker and B.B. King. 
The band’s influences are wide, with the next tune a tasteful cover of Little 
Charlie and The Nightcats’ “My Next Ex-Wife”. The Mick Downs Band clearly 
appreciate well-crafted songs with wry, amusing lyrics. The last song of the first 
set, a well-shuffled (Texas style) version of “Sick and Tired”, proved this.

One short break later, and the second set started in much the same vein as 
the first, with a well-delivered instrumental – this time, the jazzy “Don’t Get 
Around”, before the band tackled “She’s Into Something” which some may 
remember from the Collins/Copeland/Cray Grammy-winner “Showdown”. Following this 
was the only Mick Downs vocal original, and it’s a corker. Staying true to the 
well-visited blues theme of women who don’t know when to stop nattering, “
Keep Your Damn Mouth Shut” holds no surprises, and confirms the Band’s 
predilection for amusing, well-crafted songs.

Albert King’s “Don’t Lie to Me” was the only song in the set to have been 
performed previously with Reconsider, but the stripped-down trio version was no 
less impressive. Au contraire, the song suited Mick’s voice brilliantly, and 
vocally the gig was going from strength to strength - as was clearly apparent 
soon after, in Muddy Waters’ “I’m Ready”. A great performance all-round – 
incorporating wah-wah pedal, and broken guitar string no less.

So, one guitar was sidelined, and the substitute was brought on. Mick 
jokingly commented “I’ve broken one guitar, let’s set about breaking this one”, and 
for the next 10 minutes he tried to do just that. For whatever reason, Buddy 
Guy / SRV’s “Leave My Little Girl Alone” (the number that followed) was the 
single, greatest performance of the evening. The standard of the vocals 
increased and the interplay between drums and keyboard was exceptional. The band 
really made this song their own from the opening bars. The vocals were assured, 
the guitar-playing tasteful, yet attacking, and the drums and keyboards 
constantly pushed the lead guitar as far as it would go.

For the audience, it was a real treat, with Mick going walkabout with his 
radio mic, both feeding off the crowd, and the dynamics of the rhythm section. 
From start to finish, an absolute blinder, resulting in the first standing 
ovation of the night.

But it wasn’t over. Tim Downs got the chance to shine on the following 
number, “Hard Way” – he didn’t disappoint - and they rounded off the second set 
with an upbeat “Barefootin’”.

Great, great, great gig.

The band returned for a 2-song encore, tearing into Johnny ‘Guitar’ Watson’s 
“Motorhead Baby”, before concluding conclusively with another Mick Down’s 
instrumental, entitled “Hipatitis B flat” (can’t remember what key it was 
in...), a catchy piece with a great head (almost Anson Funderburgh-esque). The 
standing ovation at the end was more than a little deserved, and I guarantee all 
present were praising the gift of live music. Long may it continue.

So - in short, don't miss 'em tonight! Doors open at 8 p.m as usual. See you 
there!